
New York State Route 231 by dougtone via Flickr
There’s a parade coming down the main drag that connects the hamlet where I live to the village by the bay. Down here in the village, the main drag has long since dwindled to one lane in each direction. This morning, it’s brisk with traffic, each vehicle racing to avoid getting caught behind the barricade that’s going up at any moment.
We need to be on the other side. My practiced eye looks briefly in either direction, assessing the traffic for relative distance and speed. This is going to be cake. Taking off at a sprint, I easily cover the two lanes well before the oncoming traffic arrives. I look around. I see my two friends still huddled where I’d left them on the curb at the other side, faces drawn taught with thinly-disguised anxiety. Finally, they feel it’s safe, and they hurry across.
“OMG, I thought you’d be killed!” one of them exclaims.
“What?” comes my bewildered response. “There was plenty of time. Don’t you people know how to cross a street?”
I’d grown up in the city, where you take your crossing opportunities as they come, even on wide boulevards of four and six lanes of heavy, New York driver traffic. If you aren’t bold, then you’re destined to stand a good, long time waiting to cross at that uncontrolled intersection. Waiting, wating… who has time for that?

NYC Street by T. Ruette via Flickr
It’s a few years later, and I am on my way to see a friend perform in concert with his quartet. I am traveling from Long Island with the only other person I’m aware of who also has a ticket, but I don’t know him terribly well. He’s funny and nice company for the mass transit journey into the city. His eyes are fringed with those impossibly long guy-lashes that make every woman sigh and wonder, “Why can’t *I* have lashes like that?”
(A few years into the future, I would focus on those lashes while standing under the chupah, having random thoughts about anything and everything, just to keep myself from thinking about the reason we were standing there…)

Sweet by Maureen Lunn via Flickr
He pulls the cord overhead to signal the driver. We de-bus near Lincoln Center and prepare to cross Broadway. My practiced eye looks briefly in either direction… my muscles are tensing in preparation for the sprint. Although we are not physically touching, I feel him hesitate beside me, drawn taught… Before he has a chance to balk, I grab his hand and give it an encouraging tug. We have ignition, we have liftoff, running hand in hand until we reach the opposite curb. His hand immediately releases mine, but for a while after, I can still feel the shape and the weight of it in mine. How odd…

Otters holding hands by mindluge via Flickr
This had happened to me only one other time, the very first time I’d ever held hands with a boy. He was funny and his eyes were an impossible shade of blue; not even a color found in nature, I don’t think, and certainly not one I’d ever seen before or since. The first time our hands touched (accidentally-on-purpose), I’d gone directly for the interlaced fingers position, but he was having none of that and quickly shifted us instead to the palm-to-palm position. I was satisfied, pleased that he hadn’t rejected the idea of hand-holding altogether, but at random times for days after, I would suddenly experience the pleasantly terrifying sensation of his fingers filling the spaces between mine.

A moment of many by sarahpetherbridge via Flickr
I wanted to be pleasantly terrified. I wanted to be gifted with the experience of someone filling in all the places where I am blank. I’m not sure how, but somewhere along the way “pleasantly” and “terrified” became uncoupled; unchecked, terror fills the blank spaces with something that’s drawn taught, something that drives me to flinch from the sprint, to wait at the corner until the signal changes.
Oh, for my days of the practiced eye, the ability to assess, the exhilarated sprint, fully confident that I would reach the curb unscathed. Oh, for the days!
Now playing – The Fray: Never Say Never
© 2010, The Single Rider. All rights reserved.


It has never surprised me to find out how many of my colleagues at The Firm are coulda-shoulda-woulda-been musicians, actors and other assorted artistic types who “fell into” careers in IT during the 90s dot com boom. Like me, they were all just looking for their cushy little day job with medical benefits whilst running about auditioning, until someone figured out they had brains and promoted them. You get to an age where being a starving artist doesn’t hold as much romatic appeal as it once did, and the money you’re making doing something else is certainly seductive.
It’s nice to not have to limit dinner to popcorn every night – with butter on it as an extra treat on Sundays. It’s nice being able to pay down your credit card debt, purchase a car that was made in THIS decade and go away for vacations. Thus, when faced with the realization that making a living as an artist is going to be a life-long uphill struggle, the survival-based career not only looks attractive, it seems more logical, more sensible, more likely to get your family off your back. I think a surprising lot of people are doing survival-based careers with their lives and that’s why work seems like… well, work. That is why
Early last month, I was in Downtown Disney at the big World Of Disney store. The jumbo TV in the center of the store began to show a scene from
I do realize that I have not been in harmony with myself, and that a lack of active unhappiness does not equate to living with active joy. I do realize that living a little more deliberately, a little more consciously, would make me more actively joyful. The more I send this understanding and acknowledgment into the Universe, the more the Universe has reflected it back at me.
“Here’s what all of you have done. You’ve made a sad situation joyous and inspirational. So, to all the people watching, I can never, ever thank you enough for the kindness to me. I’ll think about it for the rest of my life. 



